IB theater blog👍

      I think that in both Stanislavski's and Brecht's renditions of the scene are both some similar and very different. The tone of Stanislavski's is one of extreme grief as she goes through her fathers belongings and tries to process his death. Both scenes are set in very similar locations to start out, but the difference in lighting changes the whole mood of the scene. In Stanislavski's, there is a much warmer light that accentuates the sad feeling, but in Brecht's there is an industrial light and there is barely a sense of remorse or pain. Also Stanislavski's starts out slowly like a normal start to a scene but Brecht's sort of jumps right in. And also in Brecht's, rather than going through the items in sadness, Ophelia just takes items out one at a time and steals what she can, which is a very different scenario. Yet another strange aspect of these scenes is the way Ophelia just breaks out into song. Its just very odd and unnerving especially...

 Both Brecht and Artaud had very different and unique theater methods. Brecht's method was a process that was basically a model for approaching production. "It begins with the construction of the  Fabel  , which then leads to initial blockings in the form of the scenes’  Arrangements  . The actors then develop a basic  Gestus   for their figure, and  inductive rehearsal   leads to a diverse range of  Haltungen  . The aim, as ever, is to produce lively,  realistic  theatre that allows the spectator to speculate on the ways society works by drawing attention to the  contradictions  that drive the action." These steps pretty much sum up the Brecht method. Artaud's method was very different and seems somewhat simpler. "Artaud experimented with the relationship between performer and audience, preferring to place spectators at the very centre of a performance surrounding them. His intention was to t...