I think that in both Stanislavski's and Brecht's renditions of the scene are both some similar and very different. The tone of Stanislavski's is one of extreme grief as she goes through her fathers belongings and tries to process his death. Both scenes are set in very similar locations to start out, but the difference in lighting changes the whole mood of the scene. In Stanislavski's, there is a much warmer light that accentuates the sad feeling, but in Brecht's there is an industrial light and there is barely a sense of remorse or pain. Also Stanislavski's starts out slowly like a normal start to a scene but Brecht's sort of jumps right in. And also in Brecht's, rather than going through the items in sadness, Ophelia just takes items out one at a time and steals what she can, which is a very different scenario. Yet another strange aspect of these scenes is the way Ophelia just breaks out into song. Its just very odd and unnerving especially...
As a company The Paper Birds are trying to address political and socioeconomic issues through theater. I think that the topic of class has been thoroughly explored in theater as a whole, but Mobile approached it in a totally unique way. The show it’s self was wild to me in how inclusive of the audience it was and I even just watching it I felt like I was there because of the filming. Mobile also looked at class on a more intimate level because of how personal it felt learning the story and background of the character; although I was a little taken aback when I found out that she wasn’t actually the described person.
Comments
Post a Comment