I think that in both Stanislavski's and Brecht's renditions of the scene are both some similar and very different. The tone of Stanislavski's is one of extreme grief as she goes through her fathers belongings and tries to process his death. Both scenes are set in very similar locations to start out, but the difference in lighting changes the whole mood of the scene. In Stanislavski's, there is a much warmer light that accentuates the sad feeling, but in Brecht's there is an industrial light and there is barely a sense of remorse or pain. Also Stanislavski's starts out slowly like a normal start to a scene but Brecht's sort of jumps right in. And also in Brecht's, rather than going through the items in sadness, Ophelia just takes items out one at a time and steals what she can, which is a very different scenario. Yet another strange aspect of these scenes is the way Ophelia just breaks out into song. Its just very odd and unnerving especially...
Acting in the play was a really enjoyable and also an interesting experience in which I could reflect on what we were doing through a theater perspective. I got to experience it from the inside and that in combination with having my own fight scene gave me a lot of ideas about TEAM in the play. The whole play was full of tension, whether it was between Agnes and Tilly having an intense conversation, or leading up to and in fight scenes. I think that the leading up to part was an especially tension filled moment. Most of the fight scenes have that sort of build up, but I think that the Tiamat fight is the best example. Even before the fight starts, the conversation between Agnes and the rest of the adventurers as they seem like there off. And then there's the stomping which is kind of the epidemy of intensity in the play. Another aspect was the tension of actually acting. I know for my scene I felt tense at points like when I found out that the adventurers were going to the mountain...
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